About the Richard Powers Art blog...

I have been a fan of the art of Richard Powers before I ever knew the man's name. Growing up reading SF as a child, I marveled at the abstract surreal images from many of the paperback covers from the 50's and 60's. But it was not until many years later in 2000 that I encountered The Art of Richard Powers by Jane Frank and discovered the name behind the art I had loved -- Richard Powers.

Powers led a double life. He was not only one of the most prolific commercial artists of his day, but he was also a prolific fine artist who maintained an annual solo show at the Rehn Gallery in NY (among others) for three decades. It is interesting to note that there was often very little difference between his fine art abstract paintings and his commercial art book covers -- quite a feat!

He worked in many styles and media, and experimented endlessly. Although he could easily paint "realism", he favored (and was more challenged by) abstraction. For me personally, his art "scratches many itches". I love abstract surrealism, and I love SF. Powers art brought these two together in a brilliant way. Additionally, there is a wonderful sense of nostalgia to many of his images, invoking the art styles of their times. But above all, Powers work simply captivates me!

My goal for this blog is to provide a hub for sharing information about Richard Powers and his art, as well as interesting observations about his process. I hope you enjoy.

John A Davis

Our Lady of Darkness

Our Lady of Darkness

Saturday, February 11, 2017

That's a Wrap!

Prelude to Space by Arthur C Clarke
Ballantine, 1954
Powers was occasionally called upon to provide wraparound cover illustrations for specific titles.  I thought it would be interesting to "unfold" some of those covers to better appreciate what the original full painting looked like.  It is not only interesting to see the original full artwork, but also how Powers handled the layout and planning of text.  In fact, Powers essentially acted as Art Director for those early Ballantine covers, coming up with some really cool layouts and title treatments.

These images are all taken from my paperback collection and do not represent all of his wraparound covers.  Also, the crops were often different for the hardback versions (usually a larger cropping).  I photographed the front, back, and spine separately and then stitched them together.  I did some minor "clean up" on these covers to provide a more pleasing view.

I should also mention that many of these wraparound paintings do not exist anymore in their original state.  Powers himself cut many of these in half -- saving/selling a crop of the front cover, while discarding and/or cutting up the back cover elements for his collages.

Follow this link to see the Wraparound Gallery!